The capture information: 200mm f/4 macro lens (300mm in 35mm terms), 1 second at f/36 and ISO 100, tripod mounted using a Kirk Mighty Low Boy.
When I saw the photo on my monitor, I like the way it came out. But I definitely needed to play with the image in Photoshop (below and far below).
I often get asked about the techniques I use to get effects like these. I’ve no desire to be mysterious about it. But the precise steps I use are different every time. It’s a process, when it’s working right, that feels like the image is calling out to me, and revealing the steps as I go along necessary to reveal the inner image. You could say that I am the image’s therapist, taking the external image and revealing its inner self.
Also the case: if you tell me that you prefer my straight starting place, I won’t be offended.
There is some commonality in the techniques I usually use. I start by photographing (or scanning) for high depth-of-field and transparency. I then work on the image in Photoshop using a variety of blending modes with duplicated inversions of LAB channels.
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